September 14, 2018

It gives us great pleasure to welcome Matthew Bright back as the guest on Episode 181 – Can’t Do Victorian Without a Bit of Sadism!!

Matthew Bright returns to talk about his new release Gents: Steamy Tales from the Age of Steam, the fact that the Victorian era wasn’t as prim as you think, and using historical settings for your writing.

Follow Matthew and support his work:

Books Mentioned in This Episode:

Bio:

Matthew Bright is a writer, editor and designer who is uncomfortable writing in the third person, but soldiers on regardless. His short fiction has appeared or is forthcoming in a number of venues, including Tor.com, Nightmare’s Queers Destroy Fiction, Glittership, Harlot Magazine, Clockwork Iris, Queen Mob’s Teahouse and others. He is the co-author of Between The Lines, an experimental novella, with Christopher Black. He is also the editor of several anthologies, including The Myriad Carnival, Threesome: Him, Him and Me, Clockwork Cairo: Steampunk Tales of Egypt and forthcoming titles Gents and A Scandal in Gomorrah. With the release of Threesome, Publishers Weekly declared him ‘unambiguously…an editor to watch’, which is a quote he’s inclined to have printed on business cards and hand out to complete strangers on the street. By day, he pays the bills as a book cover designer in Manchester, England.

This Podcast episode is available on these channels (in order alphabetical):
Apple PodcastsGoogle PlayiHeartRadioSpotifyStitcherTuneIn

Or right here:


July 29, 2016

It gives us great pleasure to announce Matthew Bright as the guest on episode 068: Get Together and Put Things In Certain Places!

Join us as we discuss his artistic journey as a writer, editor, and cover-design monkey (totally his words). We go into his triple-threat career, why erotica is as much an artform as other literature, and how Publisher’s Weekly’s review of Threesome caught him off guard!

You can buy Matthew’s work here:

Connect with Matthew on your favorite social site:

Bio:

Matthew Bright is a writer, editor and designer who is uncomfortable writing in the third person, but soldiers on regardless. His short fiction has appeared in a number of venues, including Nightmare’s Queers Destroy Fiction, and he is the co-author of Between The Lines, an experimental novella, with Christopher Black. He is also the editor of several anthologies, including The Myriad Carnival, Threesome: Him, Him and Me and forthcoming titles Gents and Clockwork Cairo. With the release of Threesome, Publishers Weekly declared him ‘unambigiously…an editor to watch’, which is a quote he’s inclined to have printed on business cards and hand out to complete strangers on the street. By day, he pays the bills as a book cover designer in Manchester, England, where he lives with his partner and a dog who likes to eat valuable hardbacks.

This Podcast episode is available on these channels (in order alphabetical):
Apple PodcastsGoogle PlayiHeartRadioSpotifyStitcherTuneIn

Or right here:

By Vance

One thought on “Matthew Bright”
  1. Well, Baz, I do think it does matter who publishes a book. Small and larger presses do offer benefits that self-publishing does not offer. Who will submit your books to Publishers Weekly or Kirkus? Who will sell your books at conferences?

    Steve Berman
    Publisher
    Lethe Press

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