Tag Archives: adventure

04Oct/19

Amara Lynn

October 4, 2019

Into the Deep book cover
It gives us great pleasure to welcome Amara Lynn as the guest on Episode 236 – Arrr Matey!

Amara Lynn joins us to discuss their new novel, Into the Deep, a m/m pirate merman story, and share their drive to make Twitter friendlier using LGBTQ hashtags!

Follow Amara and support their work:

Books Mentioned in this Episode:

Bio:

Amara Lynn has always been a quiet daydreamer. Coming up with characters and worlds since childhood, Amara eventually found an outlet in writing. Amara loves anything to do with pirates, villains and superheroes, and angels and demons.

Amara is addicted to music and gets the most inspiration from moving songs and lyrics. When not writing, Amara usually reads, listens to podcasts, watches anime, plays a video game here and there (but mostly collects them), and takes way too many cat pictures.

This Podcast episode is available on these channels (in order alphabetical):
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Or right here:

24Jan/19

I Am The Storm by Tash McAdam

Tash McAdam was with us very recently on WROTE. To find out more about them and their work, check out Episode 197: Cassius Is Screaming!

This book is a rewrite of a previous book, SLAM, but as there is 60% new material, it really is a fresh start. I Am The Storm is Part 1 of the The Psionics series.

Part 1, I Am The Storm, is a tense game of cat and mouse as Sam, a Psionic who can control technology with his mind, has to go on the run to avoid being captured by the Institute, who want to harness his skill. He is also being chased by a resistance soldier, Serena, who needs him to help overthrow the Institute’s monopoly over the city.

When they finally meet and realise they are on the same side, we begin to see the human side of the characters, and that was when I really began to connect with them. That isn’t to say I didn’t enjoy it beforehand. The book is extremely well-written, and the author knows how to play the tension and choreograph incredibly plausible and fast-paced action scenes.

But it isn’t all about the action. There are also some searing scenes of heartbreaking intimacy too, but I can’t say more than that without adding spoilers. The scenes at the Wall were incredible. I was sitting in a coffee shop reading this and honestly, every sound was drowned because I was so involved in the book. That’s an awesome talent, and those scenes alone were enough for me to decide this is definitely a YA author worth watching. It bodes well for the next book in the series. The ending is satisfying, with enough of a cliff-hanger to lead the story on but not so much that you want to scream for more straight away.

Only a few quibbles, the main one being I wasn’t fully engaged in the beginning and I’m still not sure why. I think it was because of the amount of tell rather than show, which can get in the way when a character is running for their life. Another was the slightly odd way the characters used the word “Google” in the way we would usually say “God.” Ie., Thank Google for that. I get that Google is the new God in this rain-drenched, Dystopian world (isn’t it already?) but it just took me out of the scene for a nano-second each time. I think that’s a personal preference though, and shouldn’t reflect badly on the quality of the writing.

Finally, the world-building is great, convincing and bleak, and the plot doesn’t flinch from difficult issues (death, mainly) and crucially, doesn’t try to be “down with the kids.” This is an intelligent novel, and a really strong start to a fast-paced YA sci-fi series.

BLURB

Keep your head down. Don’t look anyone in the eye. Never even think about technology if one of those ghostly, grey cars is sliding silently down the road. They’ll see the thoughts inside you, if you let them. 

Sam’s a technopath, able to control electronic signals and manipulate technology with his mind. And so, ever since childhood, his life has been a carefully constructed web of lies, meant to keep his Talent hidden, his powers a secret. But the Institute wants those unusual powers, and will do anything to get a hold of him and turn him into one of their mindless slaves. 

Sam slips up once. Just once, but that’s enough. Now the Institute is after him in full force. Soldiers, telekinetics and mind readers, all gunning just for him. 

Newly qualified rebel soldier, Serena, doesn’t even know she’s chasing a person, all she knows is that she has to find whatever the Institute is after before they do. But, tracking an unknown entity through an unfamiliar city, with inaccurate intelligence, unexpected storms, and the Watch on the prowl, will she even survive? Will she get to Sam before the Institute does? His special skills could provide the resistance with an incredible advantage, but not if they can’t get out of the city, and over the huge wall that stands between them and freedom. 

I AM THE STORM is the action-packed rewrite of SLAM, with 60% new material and a brand new ending. Don’t miss Book One in what is now a four part series, due in 2018. 

16Feb/18

Lander by J. Scott Coatsworth

The scene was set in Book 1: Skythane, and the danger with second books is that the plot can fall a little flat, but that is not the case here. Wisely, the author has created another world out of the old one, with the occupants of Oberon and Titania having to get used to their new reality.

Not everyone is happy with this new world order, and conflicts from the last book rear their ugly heads. The good news is that Quince makes a discovery laced with tragedy, and Xander and Jameson’s fledging relationship suffers a knock when an old flame arrives on the scene. Amidst all the fantasy elements, there is a good old human story of love, of struggle and torn loyalties.

I loved how human these characters are. Having got to know them in the first book, I really cared about their various predicaments. There is an element of fairy tale as well as sci-fi, which stops the plot from being too tech-heavy, with panoramic scenes to enable the characters to spread their wings. And it had a very welcome dash of corporate intrigue which was a great foil to the fantasy element. It is a very visual book, as the last one was, and painted in vivid colours. I could definitely see the climax being directed by Neill Blomkamp (District 9, Elysium) It had that kind of cinematic feel.

The story lagged slightly in the middle of the book, but soon picked up again when Jessa, Jameson’s former fiancee, is thrown into the mix. She could have been given a bigger role, as she was a strong character, but I loved her kick-ass feistiness. The big message of this novel seems to be “seize the day” although it never actually says that. It was done beautifully and it’s hard to say which book I enjoyed more, the first one or this one. Needless to say, I’m looking forward to the next in the series.

BLURB

Sometimes the world needs saving twice.

Xander and Jameson thought they’d fulfilled their destiny when they brought the worlds of Oberon and Titania back together, but their short-lived moment of triumph is over.

Reunification has thrown the world into chaos. A great storm ravaged Xander’s kingdom of Gaelan, leaving the winged skythane people struggling to survive. Their old enemy, Obercorp, is biding its time, waiting to strike. And to the north, a dangerous new adversary gathers strength, while an unexpected ally awaits them.

In the midst of it all, Xander’s ex Alix returns, and Xander and Jameson discover that their love for each other may have been drug-induced.

Are they truly destined for each other, or is what they feel artificial? And can they face an even greater challenge when their world needs them most.

17Nov/17

The Laconic Lumberjack (A Nick Williams Mystery Book 4) by Frank W. Butterfield

Frank W. Butterfield was one our lovely recent guests! To find out more about him and get links to his work, check out Episode 138: It’s All True and Very Silly!

REVIEW

This was an interesting one, the 4th book in a long running series of stories featuring fabulously wealthy P.I. Nick Williams and his partner, Carter. Set in 1953, when bigotry and homophobia were legal and enforced by law, the two men tread a fine line between living their lives as they want to, but always aware their loving relationship could land them in jail.

Having said that, this is a jolly escapade in the main, possibly a little too jolly, considering that Carter’s father has just been murdered in a most grisly way, and a local black man has been arrested as a result. Nick hires a plane forthwith, and off they go to Georgia, where every stereotype of Southern man and woman-kind awaits to cause them all kinds of problems. This wasn’t a bad thing though, because let’s face it, a LOT of people in the 21st century are walking stereotypes.

It’s hard not to like this story, although I ran up against a few niggles that threw me off a bit. The first, and biggest, were the occasions when a character would do or say something, “for some reason.” As a reader and writer, I am always looking for reasons. They don’t need to be immediate or blatant, but they need to be there. Adding nuances to writing can be difficult, especially when there are a lot of characters and different plot lines zinging about, but the phrase would have been better left on the cutting room floor, so that the reader could make their own decision as to what the reason was.

The other niggle, possibly because I’m a curmudgeon, is the uneasy mix of tough subjects (racism, homophobia, murder, lynchings) with the amount of time the characters spent laughing. They all seemed rather too happy. Possibly this was because trust-funded golden boy, Nick, could afford to buy everyone out of trouble. If this makes him sound like a bit of a wanker, he really isn’t. He and Carter are so achingly sweet, especially together, it could make your teeth hurt if you’re in any way a cynic. The sex is fade to black, as it would have been in any respectable 1950’s film, so anyone expecting woody shenanigans will not get them.

Instead, there is a lot of other stuff to enjoy. The plot weaves and ducks and dives. The author throws a lot at them, jail-time for Nick, followed by a  kangaroo court, and inserting him and Carter in with a lot of rufty-tufty lumberjacks to try to weed out the murderer. I looked forward to a woodsaw-related climax, especially after the gory death (off-script) earlier but bearing in mind the novel is 1950-esque, with the restraint, decency and politeness of that era, it’s best to read the book to find out if and when that happens.

On the whole, bar the few hiccups, I enjoyed it. Nick and Carter are engaging, fun and cute, even though people around them keep dropping dead. Readers not wanting sex and too many f-bombs, and who appreciate a sense of decorum as well as humour, will enjoy this retro romp very much indeed.

BLURB

It’s just another Thursday morning in July of 1953 when the doorbell rings at 137 Hartford Street and it’s bad news.

Carter’s father has been murdered in Georgia and the local sheriff has no intention of finding out who really did it.

So, Nick and Carter borrow the first plane that Marnie, Nick’s amazing secretary, can find for them and they zoom off back into the past to see if they can uncover the truth of what really happened before the wrong man is convicted. And, knowing the lay of the land under the moss-covered oaks, Carter is pretty sure that the color of a man’s skin will figure heavily in who takes the fall.

In The Laconic Lumberjack, the best Nick can do is stand by Carter’s side as he confronts an awful past, uncovers some surprising secrets, and deals with the unsavory reality of small-town hypocrisy.

In the end, Nick and Carter discover more about themselves than they ever expected to find.

03Feb/17

Book review: ZENITH The Interscission Project: Book 1 by Arshad Ahsanuddin

REVIEW

Here is a man who knows and loves his sci-fi. I’m guessing (and this is a pure guess) that the author has ingested Star Trek and Deep Space Nine and Stargate and any other space-related series on both telly box and the big screen by osmosis since he was out of diapers. Which is why, when I came across phrases like “it became obvious the mobile device was designed to lock out navigation control and retarget the foldspace drive to jump the ship to a specific set of coordinates – that’s if it survived the gravitic torsion of opening a foldspace gateway inside a planetary well,” I could nod my head and say, ‘yeah, that makes total sense.’

Of course, it doesn’t make a whole lot of sense to me, but the point is that the author knows his subject so well, that it came across in a way that didn’t make me feel like a dumb schmuck for not totally getting it. There were a lot of instances like this. A lot of wibbly-wobbly, timey-wimey stuff barely concealing a boiling undercurrent of emotions. And this book has a whole lot of it. Corporate intrigue, revenge, complicated love stories. This is as much a drama of human conflictions as well as a rip-roaring, time-warping adventure.

And it is an adventure on the high and stormy seas of deep space, elevating my heart rate when the tension is ratcheted up. Will they make the jump successfully? Will they ever see their loved-ones again? Who is the saboteur who seems determined to destroy the teleport project in its infancy? I found I was speed-reading just to see what was going to happen next – not because I’d had it with the geeky stuff, but because the book was so gripping. There were a few cornpone phrases (“no-one dies tonight” or something like that…) but I love all that gung-ho stuff. It made the characters human and familiar, in deeply unfamiliar surroundings.

And damn it all, if the author didn’t make his characters so likeable, and cunningly gave them great back stories. The brilliant and mysterious twins, Stella and Edward, Marty, the all-American pilot hero, Charles, his equally capable best friend, the slippery CEO, Henry and taut-jawed Trevor. I loved them all because of their vulnerabilities. And the author cleverly built relationship between them with actions was well as words. It wasn’t so much what they said, as what they didn’t say. There wasn’t a wasted word between them.

And finally, the love element, so heartbreaking, so subtly done. The characters’ sexual identity was dealt with then that was it. I didn’t notice the words, “gay” or “queer” or any of those other adjectives throughout the whole book. There was no feeling of “look, LGBT characters and everyones’ okay with it! Isn’t that great! Love is love!” There was no angst about being gay. No issues that I picked up at all. Everyone just got on with it. People were professional, and more concerned about inter-company relationships affecting their job performance rather than who they wanted to sleep with. I only noticed it because most books do seem to be about the issues surrounding being LGBT, or at least touch on them, because to ignore them isn’t right either. I didn’t feel the book was ignoring the issues, but that in this instance, they really didn’t matter. People are being murdered whilst they try to jump through space and time, for God’s sake! Let’s concentrate on that!

This book is the first part of The Interscission Project trilogy, so there are some unanswered questions, hopefully addressed in the next two books. If you want something science-y and genuinely moving, about humans wrestling with the convoluted mysteries of space and time, as well as those of head and heart, I really recommend this.

Please, Harvey Weinstein, pick this up and make it a movie. Put LGBT characters in the major roles, distribute it all over the world and watch your bank balance go interstellar.

It’s a sure thing.

Arshad Ahsanuddin, March 2014
ISBN:
9781927528402
Language:
English
Pages/Words:
245 pages/71k words

BLURB

Grounded after a rescue attempt in Earth orbit goes bad, Commander Martin Atkins of the Confederation Navy is approached by the Interscission Project, a consortium of civilian corporations on the verge of perfecting the technology to travel to another star. Despite his misgivings, the chance to get back in the pilot’s seat is too much to pass up, and he convinces his best friend and crewmate, Charles Davenport, to leave the military temporarily and join him as part of the crew of the Zenith, humanity’s first starship.

Edward Harlen is a brilliant young engineer, and a key player in the construction of the Zenith to take advantage of the untested technology of foldspace drive. But Edward has his own agenda in joining the project, and a bitterly personal score to settle with his boss, Trevor Sutton, a vendetta of which Trevor is entirely ignorant. But when Edward’s sister Stella enters the picture and manages to secure a position on the project, all of Edward’s careful plotting is upset, and she might spell the downfall not only of his plans for revenge, but of the entire Zenith mission.

The spark of attraction between Edward and Martin is a complication that Edward can’t afford, but of which he can’t let go. For Edward knows the secret at the heart of the Interscission Project, the hidden potential of the technology that in the wrong hands could become the ultimate assassin’s weapon: the ability to rewrite history, not just once, but many times. As an unseen enemy moves to destroy them, and the body count multiplies in their wake, Martin and Edward must choose whether they will allow the possibility of love to challenge their destinies, or will they instead take up arms in a war to control the most ancient and terrible power in the universe.

Time, itself.